Saturday, April 27, 2024

'Wetlands' by Charlotte Roche Los Angeles Times

charlotte roche

As with Chuck Palahniuk, there's a consistent - and somewhat formulaic - endeavour here to gross you out. Helen is keen to inform us, repeatedly, that every squeezable, drainable, detachable substance produced by the body (hers, her lovers', or yours) can be and should be eaten - except hair, which she shaves off weekly, and ear wax, for which she shows unexpected disdain. There's no mention of belly button fluff either - but blackheads, snot, puke, pus, scabs, tears, smegma, eyelid crumbs, vaginal discharges, menstrual blood and other gunk are all acceptable fodder, especially when dried to a crust under the fingernails. "I'm my own garbage disposal. Bodily secretion recycler," she tells us proudly. The passage in which she rips open her own wound to prolong her stay in hospital is even more challenging for the weak-stomached reader. I’m convinced that in contemporary society a lot of women have a very messed-up attitude to their own bodies.

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She has a quick, dirty mind, yet somehow or other she seems oddly naïve and very sweet. As soon as she turned 18, she had herself sterilized. She wants to stay in the hospital because she hopes her divorced parents will accidentally visit at the same time and magically recognize they still love each other. The novel's basic premise is that Helen has had sex, feels great about that, and is generally at home and easy with human fluids in a way that the rest of us are not.

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The presence of the parents provokes corny psychology lessons on dysfunctional families, and Helen's originality and ingenuity seem less remarkable when attributed to family trauma. Why doesn't Roche bravely proclaim her heroine's outlook NORMAL? Let Helen be promiscuous, impetuous and insubordinate because she wants to be, not because there's anything wrong with her or her childhood. Her previous hospital stays include a bout of appendicitis she faked in order to postpone a French exam, and a sterilisation her mother knows nothing about. She's pretty angry at her mother, not just about the divorce, but about other crimes too, from mild maternal interference to suicide attempts.

More on Granta.com

If you ever wondered what you'd be like if you weren't shy, polite, tolerant, modest, sexually repressed, logical and constrained by modern standards of hygiene, this may be the book for you. Charlotte Roche's heroine, Helen, is a wistful feminist creation, a walking, talking, bleeding, masturbating, haemorrhoid-bedecked apologist for anal sex and home-made tampons. She's not without a touch of Munchausen's, too, trying to use a self-induced hospital emergency to reunite her long-estranged parents. Open it at random and read a page and you cannot help but blush. At worst you think she intends to shock and disgust; at best to get people, particularly women, to talk about taboo subjects. But if you can get past the rushing torrent of vaginal secretions, pus, fecal matter and menstrual blood, there is an affecting story of a sad and incredibly lonely girl.

And she seems like such a nice girl... - The Guardian

And she seems like such a nice girl....

Posted: Sat, 31 Jan 2009 08:00:00 GMT [source]

Helen chooses to see her much duller father as utterly blameless - apart from the way he used to administer sun cream, leaving white question marks on her sunburnt back every summer. In quieter moments she tends her avocado garden, which she forced her mother to transport to the hospital. A row of avocado pits stand sentinel to our heroine's antics and, apart from being used occasionally as dildos, strike a quiet, restrained note in contrast to Helen's feverish mixture of horniness, confusion, indignation and bloody-minded good cheer. Recently someone in the audience at a reading suggested that perhaps the war isn’t over after all, that the Allies were merely concentrating on getting their offspring to write porno propaganda to confuse the German people. Me flying over Germany, throwing sex bombs into people’s minds.

To bodily go ...

charlotte roche

Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish. I find Roche's brand of bloody-minded emotional openness inspiring. If women's liberation means freeing us to be more truly ourselves, we should celebrate a writer like Roche, whose voice is defiantly, shamelessly her own.

Already troubled by a complicated family history, Kiehl has been left a "wounded animal" by the accident. She is suicidal yet terrified of death, and clings to sanity for the sake of her husband and seven-year-old daughter with the help of thrice-weekly sessions with Frau Drescher, her therapist. Roche certainly knows how to write a memorable opening scene.

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I wanted to point out how a lot of the emancipatory principles from the ’60s and ’70s have not yet arrived properly. In that respect, this book really is a manifesto, and I do think it has a serious message. "Yes, you're right, it would have been more logical if she had had hair. But you see, the book started off very political. But then it got very unpolitical, it just happened."

I can only wish that the young women who think “Wetlands” sounds intriguing will head to the erotica section of the nearest women’s bookstore first. Laid out on a hospital bed, bottom bare to the breeze, Helen ruminates at length on her body and its products. Occasionally, some oafish doctor comes in and says something oafish (this part is quite believable). Sometimes, Helen is in pain and sometimes she is hungry. But mostly, she thinks, in the great German tradition.

Charlotte Roche has written an uncomfortable, blunt treatise on a young woman’s remarkable exploration of her body and its juices. It is a slimy swim, but one worth taking. First, you have to dive into that filthy concoction. The 18-year-old narrator, Helen Memel, is in the hospital recuperating from an operation to remove an anal lesion. We get the play-by-play for her poor little posterior, both the events leading up to the lesion and every moment after the operation including the male nurse agreeing to take digital photos of the result and the doctor bringing in a plastic baggy of the detritus he removed.

Wetlands opens in a hospital room after an intimate shaving accident. It gives a detailed topography of Helen's hemorrhoids, continues into the subject of anal intercourse and only gains momentum from there, eventually reaching avocado pits as objects of female sexual satisfaction and – here is where the debate kicks in – just possibly female empowerment. Clearly the novel has struck a nerve, catching a wave of popular interest in renewing the debate over women's roles and image in society.

While she is stuck in bed, unable to leave until she has a bowel movement, Helen keeps herself occupied reminiscing about her exploits. Kiehl believes that in their preoccupation with receiving sexual pleasure, the older generation of feminists forgot that good sex is all about reciprocity. As a good wife and mother, she indulges her husband's desires, even accompanying him to brothels. The child of a broken marriage, she is determined that her own marriage will "last forever".

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Her debut novel, Wetlands, which was published in her native Germany in 2008 and went on to become a worldwide bestseller, began with an 11-page description of the protagonist accidentally slicing into her haemorrhoids while shaving. Wrecked starts with a similarly detailed account of oral sex, which could well be described as "blow-by-blow". But I suspect such depths did not occur to Roche, who insists that “Wetlands” is a celebration of the female body. She does seem to have hitched a ride on the zeitgeist — the book is being translated into 27 languages.

The dirty girl - Salon

The dirty girl.

Posted: Sat, 04 Apr 2009 07:00:00 GMT [source]

Any doctor or provider who claims their profile by verifying themselves can update their information and provide additional data on their specialties, education, accepted insurances, conditions they treat, and procedures they perform. It is easy to be put off by the hype surrounding this novel. The author, Charlotte Roche, is a television personality in Germany, host of an MTV-type show.

It is noticeable that none of the German reviews and features on your book tried to make the link between your style as a writer and your style as a television presenter – even though the latter is very original and wordy, and has won you awards. It’s almost as if reviewers tried to deny the fact that you have such a ‘low-brow’ CV. The fascination in Germany has inevitably centred on how closely Helen's sex life resembles Roche's own. Charlotte Elisabeth Grace Roche (born 18 March 1978) is a British-German television presenter, author, producer, and actress.[1] She is best-known for her 2009 novel Wetlands. All the physician and provider reviews on WebMD Care are provided by users just like you. Knowing these reviews provide insight into how other patients feel about a doctor, we maintain internal policies and protocols to ensure the quality and accuracy of all reviews.

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